A Brief History Of L.A. s Billboard Art : Différence entre versions
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− | As a teenager in the 1970s, though, Landau favored something else.�Oil Portrait<br><br>The Sunset Strip was his playground, and in his eyes, art was all around.�Oil Portraits<br><br>"When I went out to explore the world," he says on the phone, "I felt the Strip was like a gallery; there were these hand-painted works of art on the street."�<br><br>What he's | + | As a teenager in the 1970s, though, Landau favored something else.�Oil Portrait<br><br>The [http://www.traveldescribe.com/?s=Sunset%20Strip Sunset Strip] was his playground, and in his eyes, art was all around.�Oil Portraits<br><br>"When I went out to explore the world," he says on the phone, "I felt the Strip was like a gallery; there were these hand-painted works of art on the street."�<br><br>What he's [http://thvad.vn/bien-hop-den-mica-hut-noi-kinh-do Biển hộp đèn hút nổi] referring to, though, are billboards: Not necessarily what most would consider "art" � at least not by contemporary standards.<br><br>"They looked like giant art pieces that kind of represented my generation and the music I listened to," he says.<br><br>Landau was 16 when he started pointing a Kodachrome-loaded camera at larger-than-life icons hanging over L.A.'s streets � the Beatles crossing Abbey Road, Linda Ronstadt in roller skates. At the time, he explains, music [http://wir-behueten-kinder.de/how-harvey-could-affect-nationwide-auto-sales-7 Biển hộp đèn hút nổi] billboards were relatively new to L.A.<br><br>Read More:�npr.org/blogs/ |
Version actuelle datée du 11 septembre 2017 à 14:39
As a teenager in the 1970s, though, Landau favored something else.�Oil Portrait
The Sunset Strip was his playground, and in his eyes, art was all around.�Oil Portraits
"When I went out to explore the world," he says on the phone, "I felt the Strip was like a gallery; there were these hand-painted works of art on the street."�
What he's Biển hộp đèn hút nổi referring to, though, are billboards: Not necessarily what most would consider "art" � at least not by contemporary standards.
"They looked like giant art pieces that kind of represented my generation and the music I listened to," he says.
Landau was 16 when he started pointing a Kodachrome-loaded camera at larger-than-life icons hanging over L.A.'s streets � the Beatles crossing Abbey Road, Linda Ronstadt in roller skates. At the time, he explains, music Biển hộp đèn hút nổi billboards were relatively new to L.A.
Read More:�npr.org/blogs/